Categories
season five

Episode 86: Recluse and Reformer

At the age of 52, Gian Gastone comes to power as the opposite of his uptight, moralistic father in almost every possible way. But even as the Medici family fades, could Tuscany’s future be getting brighter?

Gian Gastone’s official coronation portrait by Franz Ferdinand Richter (1723). Source: Palatine Gallery, Florence.
An anonymous portrait of Gian Gastone receiving visitors in his bed (1736). Source: Uffizi Gallery.
Giuliano Dami, Gian Gastone’s boyfriend/procurer. The portrait is by an unknown artist. Source: Private collection.
Categories
season five

Episode 85: Waiting For The Inevitable

The vultures surround Tuscany as the Medici begin to die out. The only thing left for Cosimo III is to try to guarantee Tuscany’s independence in the future, even though most of the great powers of Europe are working against him.

ERRATA: In this episode I said that King Philip V of Spain and Elisabeth Farnese’s firstborn son was Carlos. What I overlooked was that Philip V had a wife before Elisabeth, Maria Luisa Gabriella of Savoy, and they had three sons, Luis, Felipe Pedro, and Fernando. This is important because I suggested wrongly that Carlos stood to inherit both the Spanish crown, the duchy of Parma, and Tuscany if he were made the eventual heir. While his older half-brothers would die and Carlos would become King Carlos III of Spain eventually, at the time Cosimo III was still alive he was a possibility to keep Tuscany independent (if also very likely a satellite of Spain). At least it is true that Cosimo III was still opposed to the possibility, preferring instead to let Anna Maria Luisa appoint her own successor. I apologize for the error!

The contemporary artist Louis Laguerre’s depiction of the Battle of Malplaquet or Tanières. Fought on September 11, 1709, it was one of the deadliest battles of not just the War of the Spanish Succession but early modern Europe.
A map of Europe after the end of the War of the Spanish Succession, although in the years to come Naples and Sicily will be given back to Spain and Sardinia will go to the Duchy of Savoy. Source: Rebel Redcoat
Categories
season five

Episode 84: Too Few Heirs

The Medici family are approaching the brink of extinction. It’s up to Cosimo III’s three children to preserve the family, but even with the dynasty’s survival on the line, the Medici cannot stop themselves from repeating the mistakes of the recent past.

A portrait of Ferdinando and Anna Maria Luisa as children (not dated) with an unknown woman, who historians believe is either a governess or the children’s grandmother Vittoria della Rovere. The artist is Justus Sustermans. Source: Museo Stibbert.

“Prince Ferdinando and the Musicians” by Anton Domenico Gabbiani depicts Ferdinando with some of the musicians he helped patronize (1685-1690). Ferdinando is the second from the right. Source: The Pitti Palace.
Jan Frans van Douven’s portrait of Anna Maria Luisa (date unknown). Source: Private collection.
Gian Gastone as a young man by Niccolo Cassana (ca. 1690). Source: Private collection.
Categories
season five

Episode 83: The Breakup

Cosimo and Marguerite-Louise’s dysfunctional marriage hits its dramatic crescendo and falls apart. Will Marguerite-Louise escape back to her homeland, or will she remain a prisoner of her despised husband?

Categories
season five

Episode 82: His Royal Highness

Grand Duke Cosimo III sets out to make Tuscany great again with tariffs and religiosity. At the same time, Cosimo aims for royal glory, even at a time all of Italy is under the boot of the Hapsburgs.

Categories
season five

Episode 81: Love and Marriage

Ferdinando II had high hopes that marrying his introverted, overly devout son to a French princess would both loosen his son up and save the dynasty from extinction. Things wouldn’t turn out quite like he wanted.

A portrait of Marguerite d’Orléans by an unknown artist (c. 1675) (Source: Uffizi Gallery).
Cosimo III as a young man (1660) by Justus Sustermans. (Source: Pitti Palace).

Categories
season five

Episode 80: The Scientist Grand Duke

Despite his unorthodox love life, Ferdinando II is well-liked for his genuine concern for his people and his scientific patronage. However, Tuscany is in decline, and the seeds for the dynasty’s extinction have already been planted.

A portrait of Grand Duke Ferdinando II by Justus Sustermans circa 1640 (Source: Pitti Palace).
Ferdinando II with his mother, siblings, and children. From left to right: Mattias, Gian Carlo, Francesco, Ferdinando (wearing the cross of Saint Stephen);, Maria Magdalena, Maria Christina, Marguerita, Anna, and Leopoldo, 1622 or 1623. Artist unknown. (Source: Musée Ingres-Bourdelle, Montauban).
One of a series of depictions of Ganymede by Baldassare Franceschini (date unknown), possibly with Ferdinando II’s lover, Count Bruto di Tebaldo Annibaldi della Molara. (Source: Private collection).
Categories
season five

Episode 79: The Judgment

Cosimo II finally dies after a prolonged illness. Meanwhile, the Church loses its patience with Galileo.

Categories
season five

Episode 78: Galileo’s Revolution

Why was Galileo’s scientific work considered both something worth celebrating and a threat to the status quo? Galileo himself must have pondered that question as his work, celebrated as it was by the Medici and even high-ranking members of the Church, nonetheless caught the attention of the Roman Inquisition.

Categories
season five

Episode 77: The Contentious Scientist

The celebrity natural philosopher and writer Galileo rises out of a life of near-poverty to become a favorite at the Medici court. But when controversy rears its head, will the Medici actually protect the quarrelsome Galileo?

A portrait of Galileo in old age sometime around the year 1640 by Justus Sustermans. Source: Royal Museums at Greenwich.
A portrait of Grand Duke Cosimo II by Justus Sustermans, date unknown. Source: Metropolitan Museum of Art