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season two

Episode 31: The Flood Comes

Piero doesn’t get to enjoy being the de facto lord of Florence for long before he has to deal with an impending French invasion of Italy. He decides to imitate his father’s boldest move, which would surely work…won’t it?

A portrait of King Charles VIII of France. Artist unknown. Uffizi Galleries, Florence.

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season two

Episode 30: Piero the Brief

The fourth Medici to come to power as “unofficial lord” of Florence is Lorenzo the Magnificent’s son, Piero. Although a strapping, handsome, and popular young man, forces within the regime are already working against him. But the real threat is starting to stir many miles outside of Florence…

A portrait of Piero II “the Brief” de’ Medici by Gherardo di Giovanni del Fora. Date: 1494. Source: National Library of Naples.
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season two

Episode 29: After Me, The Deluge

We step back from the Medici to look at Europe as a whole circa 1492. The balance of power is shifting and that means, for the Medici and Italy as a whole, the flood is coming. 

A map of Europe circa 1500 (although it should be noted modern Spain was still administratively divided between the kingdoms of Aragon and Castile). Source: The University of Oregon.

A map of Italy in 1494. Source: Shadowxfox.

A medal depicting the future King Alfonso II of Naples by Andrea Guazzalotti. Date: 1481. Source: Sailko.
A 19th century painting depicting the surrender of Emir Muhammad XII of Granada to Queen Isabel I of Castile and Fernando II of Aragon, by Francisco Pradillo y Ortiz. Date: 1882. Source: Senate of Spain Collection, Madrid.
An anonymous portrait of Mary of Burgundy, painted sometime during her life. Her decision to marry Maximilian von Hapsburg would change the course of European history and arguably set the stage for a long series of conflicts up to World War II. Artist and exact date unknown. Source: Private collection.
A portrait of King Louis XI of France, nicknamed “The Universal Spider” because his cunning and ruthless foreign policy helped make France a great power again, free of the threats once posed by the English and the Burgundians. The artist is Jacob de Littemont. Date: 1469. Source: Private collection.
A portrait of Maximilian von Hapsburg, Holy Roman Emperor, Duke of Austria, and co-duke of Burgundy through his wife Mary of Burgundy. The artist is Bernhard Strigel. Date: ca. 1500. Source: Kunsthistorisches Museum, Vienna.
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season two

Episode 28: The End of the Golden Age

The golden age of the Medici’s unofficial lordship over Florence is drawing to an end with Lorenzo’s death. Here we look back over Lorenzo’s legacy as the patron, the politician, and even the embezzler and the human being. Also, what exactly was Lorenzo’s contribution to the course of not only Florentine but European history as a whole? 

The tomb of Lorenzo de’ Medici, his brother Giuliano, and other members of the family in the New Sacristy in Florence. Lorenzo and Giuliano’s remains were reinterred there in 1532. The statuary at the tomb was carved by Michelangelo and commissioned by Pope Leo X (Giovanni de’ Medici).
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season two

Episode 27: The Decline and Fall of the Medici Bank

Lorenzo is at the height of his power and security. However, just behind the scenes, the family bank that caused the Medici to come into power in the first place is slowly but steadily falling apart, thanks to the Ottomans, a squabble between English royals, and, most of all, the ugly realities of politics. 

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season two

Episode 26: The Private Life and Patronage of Lorenzo de’ Medici

The Lorenzo we see from his volumnious letters is a man who had a short temper and bouts of depression, but was also capable of tremendous compassion and generosity. Unfortunately, his relationships with his own wife and sons were perhaps less than ideal.

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season two

Episode 25: Into The Lion’s Den

To try to stop a war Florence is badly losing and take some steam out of the Pope’s vendetta against him, Lorenzo does something few politicians had done before or since: put himself directly in enemy territory. 

King Ferrante of Naples as one of the Magi who visit the infant Jesus Christ in Marco Cardisco’s Adoration of the Magi. Date unknown. Source: Civic Museum of Castel Nuovo, Naples.

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season two

Episode 24: Bloodshed

The Pope, his nephew, an archbishop, and a mercenary decide Lorenzo de’ Medici and his brother Giuliano have to die. Unfortunately, the conspiracy develops some hiccups, namely having to send a couple of clergy instead of a mercenary to take down Lorenzo…

Stefano Ussi’s painting imagining the assassination of Giuliano de’ Medici (although note that Giuliano was supposed to have been kneeling when he was killed) (date unknown). Source: Private collection.
Leonardo da Vinci’s sketch of Bernardo Bandini, one of the executed conspirators. Date: 1479.

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season two

Episode 23: The Calm Before The Storm

Lorenzo resorts to unsavory methods in order to keep the Medici bank afloat. In the meantime, his path crosses with the man who would prove to be his most relentless enemy: Christ’s representative on Earth himself. 

A fresco depicting Sixtus IV and some of the della Rovere-Riario family by Melozzo da Forli (c. 1477). Source: Vatican Museum.

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season two

Episode 22: Triumphs and Missteps

Not long after coming to power, Lorenzo de’ Medici has to fend off enemies at home and abroad. Unfortunately, in the course of protecting Florence from a crisis that could spiral out of control, Lorenzo sets the stage for a humanitarian disaster. But how much was he really to blame?

A contemporaneous portrait of Lorenzo’s brother, Giuliano de’ Medici, by Sandro Botticelli. Circa 1478. Source: Gem√§ldegalerie Berlin.

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