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season three

Episode 34: The Borgia Vs. The Prophet

Savonarola may be enjoying the peak of his influence over Florence, but he’s made a relentless enemy who just so happens to be a pope and, worse, a Borgia. Meanwhile, Piero and his supporters spin plots for a Medici restoration. 

A portrait of Pope Alexander VI (Rodrigo Borgia) by Pedro Berruguete (c. 1492). Source: Vatican Museums.
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season three

Episode 33: God’s Republic

Charles VIII marches on Naples not knowing a brand-new plague is waiting for him, the Medici adapt to the existence of the new republic in different ways, and Savonarola and his allies in government tighten their grip over Florence, even while Rodrigo Borgia closes in on Florence’s popular preacher.

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season three

Episode 32: The Friar and the King

Piero de’ Medici is gone, and a new rising star is a hotshot preacher named Girolamo Savonarola. Once an itinerant preacher and lecturer, Savonarola now finds himself hobnobbing with King Charles VIII of France and even having a say in Florence’s newly rebuilt, Medici-free republic. 

The only known contemporaneous portrait of Girolamo Savonarola (1497 or 1498) by Fra Bartolomeo. Source: Museo di San Marco, Firenze.
A statue of Girolamo Savonarola in the Palazzo Savonarola in Ferrara (1875) by Stefano Galletti. Source: Dominican Friars of England, Wales, and Scotland website.
Categories
season two

Episode 30: Piero the Brief

The fourth Medici to come to power as “unofficial lord” of Florence is Lorenzo the Magnificent’s son, Piero. Although a strapping, handsome, and popular young man, forces within the regime are already working against him. But the real threat is starting to stir many miles outside of Florence…

A portrait of Piero II “the Brief” de’ Medici by Gherardo di Giovanni del Fora. Date: 1494. Source: National Library of Naples.
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season two

Episode 29: After Me, The Deluge

We step back from the Medici to look at Europe as a whole circa 1492. The balance of power is shifting and that means, for the Medici and Italy as a whole, the flood is coming. 

A map of Europe circa 1500 (although it should be noted modern Spain was still administratively divided between the kingdoms of Aragon and Castile). Source: The University of Oregon.

A map of Italy in 1494. Source: Shadowxfox.

A medal depicting the future King Alfonso II of Naples by Andrea Guazzalotti. Date: 1481. Source: Sailko.
A 19th century painting depicting the surrender of Emir Muhammad XII of Granada to Queen Isabel I of Castile and Fernando II of Aragon, by Francisco Pradillo y Ortiz. Date: 1882. Source: Senate of Spain Collection, Madrid.
An anonymous portrait of Mary of Burgundy, painted sometime during her life. Her decision to marry Maximilian von Hapsburg would change the course of European history and arguably set the stage for a long series of conflicts up to World War II. Artist and exact date unknown. Source: Private collection.
A portrait of King Louis XI of France, nicknamed “The Universal Spider” because his cunning and ruthless foreign policy helped make France a great power again, free of the threats once posed by the English and the Burgundians. The artist is Jacob de Littemont. Date: 1469. Source: Private collection.
A portrait of Maximilian von Hapsburg, Holy Roman Emperor, Duke of Austria, and co-duke of Burgundy through his wife Mary of Burgundy. The artist is Bernhard Strigel. Date: ca. 1500. Source: Kunsthistorisches Museum, Vienna.
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season two

Episode 25: Into The Lion’s Den

To try to stop a war Florence is badly losing and take some steam out of the Pope’s vendetta against him, Lorenzo does something few politicians had done before or since: put himself directly in enemy territory. 

King Ferrante of Naples as one of the Magi who visit the infant Jesus Christ in Marco Cardisco’s Adoration of the Magi. Date unknown. Source: Civic Museum of Castel Nuovo, Naples.

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season two

Episode 23: The Calm Before The Storm

Lorenzo resorts to unsavory methods in order to keep the Medici bank afloat. In the meantime, his path crosses with the man who would prove to be his most relentless enemy: Christ’s representative on Earth himself. 

A fresco depicting Sixtus IV and some of the della Rovere-Riario family by Melozzo da Forli (c. 1477). Source: Vatican Museum.

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season two

Episode 22: Triumphs and Missteps

Not long after coming to power, Lorenzo de’ Medici has to fend off enemies at home and abroad. Unfortunately, in the course of protecting Florence from a crisis that could spiral out of control, Lorenzo sets the stage for a humanitarian disaster. But how much was he really to blame?

A contemporaneous portrait of Lorenzo’s brother, Giuliano de’ Medici, by Sandro Botticelli. Circa 1478. Source: Gemäldegalerie Berlin.

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Categories
season two

Episode 21: The Rising Son

Even as a small child, Lorenzo had been thrust into the role of the public face of the Medici regime. Now an adult, Lorenzo’s own marriage to a Roman noblewoman from a clan claiming the Emperor Augustus and Julius Caesar as ancestors is a chance for the Medici to ascend even higher. Meanwhile, Piero is finally succumbing to his gout, just when both the domestic and foreign situations are starting to fall apart. 

“The Counterattack of Michelotto di Cotignola” (c. 1455), one of Paolo di Dono’s three paintings commemorating the Florentine victory over Siena at the Battle of San Romano in 1423, commissioned by Piero de’ Medici. Source: The Louvre, Paris.
Boticelli’s Adoration of the Magi (1475 or 1476), which includes a depiction of the 16-year-old Lorenzo de’ Medici on the far left. Source: Uffizi Gallery, Florence.
A posthumous terracotta bust of Lorenzo de’ Medici, which was likely based on a 1478 wax sculpture by Andrea del Verrocchio and Orsino Benintendi. Date unknown. Source: National Gallery of Art, Washington DC.
Girolamo Machietti’s posthumous portrait of Lorenzo de’ Medici. Date unknown. Source: Palazzo Pitti, Florence.
A portrait likely of Clarice Orsini by Domenico Ghirlandaio (1490s). Source: National Gallery of Ireland, Dublin.

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Categories
season two

Episode 20: Conspiracy or Countercoup?

Piero de’ Medici narrowly escaped death or abduction. But did everything happen as Piero and his son Lorenzo said? And just how will the Party of the Hill survive when they apparently bet everything on one scheme? 

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