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season three

Episode 37: The Exile

Still in exile, Piero de’ Medici throws himself on the mercy of the new king of France and Cesare Borgia. But will they prove to be reliable friends?


“Bayard on the Bridge of Garigliano”, a painting depicting the Battle of Garigliano (December 29, 1503) by Félix Henri Emmanuel Philippoteaux (1840). Source: Palais de Versailles.
A contemporaneous portrait of King Louis XII of France from the workshop of Jean Perréal (c. 1514). Source: The Royal Collection at Hampton Court Palace.
Categories
season three

Episode 32: The Friar and the King

Piero de’ Medici is gone, and a new rising star is a hotshot preacher named Girolamo Savonarola. Once an itinerant preacher and lecturer, Savonarola now finds himself hobnobbing with King Charles VIII of France and even having a say in Florence’s newly rebuilt, Medici-free republic. 

The only known contemporaneous portrait of Girolamo Savonarola (1497 or 1498) by Fra Bartolomeo. Source: Museo di San Marco, Firenze.
A statue of Girolamo Savonarola in the Palazzo Savonarola in Ferrara (1875) by Stefano Galletti. Source: Dominican Friars of England, Wales, and Scotland website.

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Categories
season two

Episode 17: The Invisible Throne

Cosimo de’ Medici quickly established a regime that operated within Florence’s constitution but gave Cosimo an almost unchallenged power over the state. Unfortunately, Cosimo’s government was a delicate structure, and the pandemonium of Italian Renaissance politics threatened to bring it all tumbling down. 

The exterior of the Palazzo Medici-Riccardi. Source: Yair Haklai, Wikicommons.
The interior of the Chapel of the Magi within the Palazzo Medici-Riccardi. Source: theflorentine.net.
A portrait of Francesco Sforza, Duke of Milan, former condottieri, and a key ally of Cosimo de’ Medici, by Bonifacio Bembo (c. 1460). He insisted on being painted wearing his battered and worn old campaigning hat.

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Categories
season one

Episode 12: The Founder of the Dynasty

Portrait of Giovanni di Bicci de’ Medici (c. 1563) by Cristofano dell’Altissimo. Source: Palazzo-medici.it.

We close out Season 1, “The Early Medici”, with a look at the life and death of Giovanni di Bicci de’ Medici, whose descendants would become the branch of the family we usually mean when we talk about the Medici. Not only is he the first prominent member of the family, however, he also founded the dynasty in the sense that he started the tradition of sponsoring forward-thinking artists, writers, and architects and in how his apparent reluctance to be a public figure actually inspired a formula for political success that would carry his descendants to greater heights than even his more ambitious forebears could have imagined. 

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Transcript

While I talked about how Giovanni de Bicci dei Medici reaped the benefits from his relationship with the sketchy soldier turned rival pope John XXIII, the rest of the Medici family was not doing so well. The family remained committed to the populist cause. Unfortunately, the conservatives also remained firmly in power since the fall of Salvestro de’ Medici. As a result, various Medici along with members of other populist families were persecuted by the government, either barred from political office or exiled from the city. So, while we can’t know what his true political beliefs were, by making himself a low-key ally of the conservatives, Vieri de’ Medici was truly and literally saving himself and his family. Giovanni de Bicci would not follow in his cousin and fairy godfather’s footsteps. However, he would find his own savvy way of surviving the political whirlwind.

Categories
season one

Episode 9: Revolution

A statue of Michele di Lando in the Loggia del Mercato Nuovo. Source: Saliko via Wikimedia Commons.

After Salvestro de’ Medici helps stoke the flames of revolution, violence breaks out on the streets of Florence and a wool-comber is installed in the highest office of the republic. But who will really benefit from this proletariat revolt in the long term?

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Transcript

Let’s start this episode with an exercise of imagination. Close your eyes, unless you’re driving or walking, in which case please don’t close your eyes, and try to imagine what it was like to be a poor laborer, earning a pittance from Florence’s cloth industry, sometime in the years following the Black Death.

Categories
season one

Episode 8: Unholy War

The papal palace at Avignon. Source: about-france.com.

In a time of simmering class tensions and growing exploitation of the poor, Salvestro de’ Medici turns against his conservative comrades and declares he’s on the side of the downtrodden. On his political agenda? Backing an all-out war against the Pope.

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Transcript

As you probably expect from living in the 21st century, all those wages spiking up and workers getting the power to seek employment with different employers didn’t sit well with the rich. So, in the years following the original outbreak of the Black Death, there was a conservative retrenchment.

Categories
season one

Episode 6: King Walt

A fresco of St. Anne and the expulsion of Walter of Brienne, today in the Palazzo Vecchio.

Facing famine, plague, an unending war, and an economic recession, the Florentines resort to handing the keys over to a French nobleman with a glamorous but mostly empty title. Meanwhile the Medici, although still lurking in the shadows from our point of view, manage to establish themselves as populists during the chaos and violence to come.

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Transcript

So I’ll fess up. The title of this episode is a bit of a flight of fancy. There never was a King Walter of Tuscany, although not from a lack of trying on Walter’s part. Walter started out as a signore of Florence, but he made a big push to become the lord of Florence. Quite possibly, his goal was to establish his own hereditary domain in Tuscany. Instead, Walter was sent packing, and Florence would never again experiment with inviting some foreigner to become signore.

Categories
season one

Episode 5: Boom Town

A picture of the Mugello Valley in Tuscany. Source: Christian Lorenz

Sometime before the dawn of the fourteenth century, a family named the Medici moved from a small village in the Mugello Valley in the Apennines to the bustling city of Florence. Eventually, they became successful bankers and one member was elected to the republic’s top office. They also jumped right into the city’s latest violent class and factional civil war. 

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Once upon a time, there was a courageous knight named Averardo. He fought well for Emperor Charlemagne, freeing Italy from the tyranny of the Lombards. While traveling through the Mugello Valley, he caught word of a giant who was terrorizing the people who lived there. Averardo challenged this Goliath to one-on-one combat. The giant tried to brain Averardo with his mace, but he lifted his golden shield at the pivotal moment, holding the shield so strongly that the mace shattered against it. However, it left the shield dented with the iron balls off the mace. Even with his shield damaged, however, Averardo was able to overpower and kill the cruel giant. Impressed by his feats, Charlemagne himself granted Averardo the right to use the dented shield, iron balls and all, as his family insignia. With that, Averardo graciously accepted the invitation of the people he liberated to settle in the valley. There, his descendants became known as the Medici family.